::Regarding the Book, the Pain, and Me::

Posted on Updated on

Girl At The Window

About a year ago, I finally pounded out the last pages of the first draft. A project that began in 1995. The early chapters are covered with the splatters of someone in the midst of an attack. The blood was boiling as the words hit the page. Twenty-plus years later, I can tell you this much: distance gives perspective. And through the years, as the story continues to write itself, the narrative shifts, changes. It — if you’re doing it right — becomes reflective and wise. I am reflective now, and wiser than I was then. So it’s stunning and a little uncomfortable to look back at the initial writing and see how unwise, how in pain, ‘the writer’ was.

I thought I wanted people to know the truth, as I knew it. Writing it down was a form of therapy; I wrote during the divorce process, sometimes all day through the night and into the next morning. I still have those pages, written on an old IBM Selectric. I haven’t read them in awhile, largely because I can’t bear it. That young woman was so broken, and — because she had no place else to put it — she poured her brokenness onto those pages. Maybe that’s how she was able to keep breathing. To put one foot in front of the other. To get from there to here.

It’s been twenty-four years since I started the book. The woman writing this now is not the same woman who wrote the first one hundred sixty five pages. Yes, all those things happened. But wasn’t it another lifetime? The scars are there, they show that wars were braved, but that’s okay. Everybody has their tragedies, losses, betrayals. Love is the ticket to all of them. There is no love with out them.

Think about that for a minute.

Loving someone is the bravest thing a person can do. To truly love means you’ve cracked your heart open and said “yes” to the utter bliss of it, and to the deepest emotional pain possible-while-still-breathing. A surrender to that depth of caring, of vulnerability, invites it. Invites it all.

My parents were the first example of what a marriage, and love, looks like. Theirs was filled with laughter, and dancing, and alcohol, and drama. It all swilled in the chalice of the Holy Catholic church. Daddy was an usher, Mama was fragile and beautiful. Our family, which topped out at six kids, sat in the front row every Sunday, “those stair step Myers kids.” In our chaotic house Mass, and the prayers we prayed there, were the two things that I could always count on. They became my lifeline.

When I say Mama was fragile, it doesn’t mean she wasn’t strong. It means she was different after she had the breakdown. I don’t remember much about it, but I remember the priest coming to the house.  I was young, and confused. My brother Bob was about two, and we were farmed out to family members each day. I went to Uncle John and Aunt Mabel’s. Bobby went to Nanny’s. Daddy dropped us off every morning on his way to work. When I got to Uncle John’s house, it was still dark. But the front door was unlocked. I climbed out of the car, shut the car door, walked up the driveway to the porch, opened the front door, went inside, shut the door, sat on the couch in the dark, and waited for someone to wake up. I was five years old.

Now, sitting here knowing that in March I’ll hit seventy one years of age, it’s a strange feeling; I think back on that little girl. I am she. She is I. We are us.

In a way, it’s like looking at an old movie of someone else.

But I guess if I had to do it again, and was delivered to my aunt and uncle’s home in the dark, I’d still open the door, go inside, shut the door, sit on the couch in the dark, wait for somebody to wake up and turn on a light.

That was a long time ago. Now, I have five beautiful grandchildren, each one a gift from my son Chris and his wife Shanna. On days when I’m not sure what I’m doing still here, I tell myself that they’re the reason I’m upright and taking nourishment. I know that’s a bit dramatic, but I really am determined to keep myself healthy so I can dance at their weddings. And I’ll foster their creative energy, their sense of humor, and their musical prowess till the day I die.

My mother has ten grandchildren, and nine great grandchildren. Daddy passed away in 2014, and mother lives in the moment, from day to day. She’s sweeter than she’s ever been, partly because she doesn’t have a clue who anyone is, other than Karen. Karen, the youngest of her children, watches over her and makes sure she’s well cared for. 
Last time I saw my mother was when I went home to bury my Daddy. We visited, and I probably told her who I was ten times in fifteen minutes. Her response was always, “Well, I’d love to get to know you.” I looked into her eyes, and thought to myself, Mother, you’ve never known me. And for so many years, I couldn’t find you in there. Now, you’re gone completely. I’m trying to learn to be okay with that.

It’s awkward. I’ve worked hard to make peace with the fractures in my family, and with the ones who caused them. I know I’ve built an invisible wall of protection around myself, a sort of PTSD response to family drama and the heartbreak it caused. I wish I didn’t need it, but I do. And so, there it is. But I no longer have the time, the energy for, or the interest in keeping track of who, how, and how often family members have done me wrong. Seriously. Let’s stop.

It’s funny what life does to a person. You start out as a little squirt, being exactly who you are. You can’t really be anyone else, because you haven’t discovered there’s a choice, so you’re just you. Then, with all its pre-conceived judgments, life gets in. You start questioning everything about you. Maybe you were wrong. Maybe you aren’t who you thought you were. So, for the next several decades, you start jumping and adjusting in time to everything that’s said to you about who you are. It’s exhausting; just when you think you’re making progress, just when you think you’ve left that original, ‘unacceptable’ you behind, the bottom falls out. And you’re back to square one … face to face with yourself.  But the truth is, that’s the best gift of all. If the world didn’t need ‘you,’ you wouldn’t have shown up in the first place.

I’m still who I thought I was, way back at the beginning of things, and while I’m a little more careful as I navigate, I have not really slowed down. On the scale of “women types,” I’d say I’m a square shouldered work horse with a great attitude. I can clean myself up and be in groups with the best of them, but given the choice I’ll hit the drive through in my pajamas.

As far as what the future holds, I’m planning to write … songs, essays, articles, books of any sort, fiction or non-fiction. My grandson wants me to write children’s books — a “NannyBoo” series which, I must admit, sounds fun and funny. NannyBoo’s their name for me, once I was christened by three-year-old Chloe’. But whether or not I write the “NannyBoo” series, I plan to write whatever comes out; I’ll write it all down as long as I can. And I’ll finish that book. If it doesn’t get published, at least I’ll be able to leave it for my children to read when I’m gone. They can gain a deeper understanding, if they’re interested, of who their mother really was, and why she was that way. They’ll get to know me better and, by extension, themselves. That’s the best gift I can give them, after all.
Knowing the “me-of-me” is, I believe, the lesson at the center of all the lessons we can ever be faced with. I’m here as me, you’re here as you, and we’ve got us. Let’s give authenticity a shot.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s