::Higher Ground::

Separate together

Common new phrases: ‘shelter in place’; ‘isolate together’; ‘curbside dining room’; ‘together separately’ … and the list will, no doubt, grow as days go by. I’m always happy to expand my vocabulary. Now is no exception.

It’s interesting, the way people are responding to the current unrest. On the one hand, there are guys who bought up all the TP with plans to sell it at premium prices.

I can’t knock free enterprise, but in the midst of a declared national disaster, ‘this’ is not ‘that’. It’s called price gouging, and it’s illegal.

On the other hand, there are those who – when they get an inkling that you might have a need, will throw open their trunk and ask, “How many can I give you? No problem, ma’am, I’m on my way to the church with this stuff and if you need any, I”m happy to share.”
These people … angels on earth. The hands, feet and heart of Jesus. That’s what they are.

They are the ones who help lift our gaze to the road before us, and the higher ground ahead.

I’m a grown woman. Really grown. I mean, I’ve been here awhile. I rarely remember that, and when I get the message to “check on the elderly in your neighborhood,” I start thinking of the ladies down the street. Then I start laughing, when I realize: I’m older than they are. WHAT?! Yes. Yes, I am. But I’ll check on them anyway. Because that’s what neighbors do.

In the main, I’m a hermit. I love being, living, creating alone. I cowrite weekly, via Skype. But I rarely come face to face in person. Rarely in the energy field of other people, rarely experience their scent or the texture of their sweater when I hug them.

Those things I do miss from time to time. But what I realize is, my lifestyle has prepared me for *this*. The need-and-the-call for everyone to, basically, live as I have lived for the past twenty years.

But we are a creative people. We Skype, and Zoom, and Facetime, and text, and call … we will always find a way.

The connective tissue between those who love each other cannot be destroyed.

::The Way Out::

Lonely Bed

Sometimes it’s hard to know how to help someone. Or to know if what you’re doing is helping, and you should do more … or should you do less? Maybe a little bit quieter … or louder. Maybe do it from way over here. Or not at all. Then again, maybe just shut up and get to it.

My brother’s wife died in January. She was mid sixties, a vivacious woman who finally collapsed into the Parkinsons that took over her body, and her mind. Bob was at work when the call came from Kathy, Lyn’s caretaker:

“You need to get home. Now.” He hung up the phone and rushed to the house.

I don’t know the particulars; I do know the doctor was there. And that it was, sadly, time. Lyn could not have weighed a hundred pounds. She deserved to finally be at peace. So, that January day, she let go.

My brother texted me: “Lyn’s gone.” When I saw the text, I called. He was his typical stoic self, but I thought I could hear past Bob’s weary “take care of business” voice. He was drifting, and putting together what needed to be done now, and next, and next, and then … it was a sort of roadmap that kept him tethered to the ground, kept him from collapsing in an exhausted, heartbroken heap.

I’m his big sister. He’s my little brother. We grew up in the family foxhole together. We dodged many of the same alcohol-fueled, rage-filled bullets. We are the only two of the six of us kids who share that childhood. Our parents changed as parents do, with successive children. But we were the first: Thing one and Thing two.

So I felt a sort of desperate need to help hold his pieces together. I went to him in Memphis.

Through the past six years, when Lyn was dealing with, then coping with, then had no clue about, what was happening to her, Bob had enlisted my help a few times. I was glad to give it. We designed his outdated, barely functioning kitchen, cleaned out closets, dealt with piles that grow when the only thing attended to is your desperately ill life mate.

When I got to Memphis after Lyn’s death, I walked into the house. I was a bit startled; by the looks of things. The house itself was heartbroken.

Lyn didn’t want a funeral, and she’d asked to be cremated. Bob honored her wishes, and instead threw a party in April, on her Birthday. By now we’d chosen paint colors and freshened up all the public areas of the house. The party was a great success, and a weight was lifted from my bother’s shoulders.

Now, he’s learning how to live a life where he can go, and do, whatever he wants. It’s both a blessing and a curse; full of stops, starts, and those moments when the ache of missing her takes his breath. But he’s got this. And I’m here for him, always, ready to help in whatever way he needs.

::MAYBE::

Box of Photos

Things in my life are the way they are, based on every choice I’ve made. They laid a road, end to end, that brought be here to this table today. Good or bad, for better or worse, here I sit; my greasy hair under a ball cap, my thoughts scattered and the censor in my brain telling me that what I’m writing now is not worth a damn.

I get sick of hearing my own voice tell my own stories. Are other people as sick of it as I am?  I don’t want to write cute, or clever. As Hemingway says, write real, about what hurts. I’ve kerfed around the edges of the pain for years, never hitting it dead center. I guess that’s real if you’re digging a trench, but I’m sort of stuck down here, looking for truth. And trying to dig my way out.

I could write about birds. But then my brain goes to the parakeet we had at 1135 South Quaker. My mother named it Perry Como. He was blue, with black wing tips, and a spot of lime green between his eyes. Thinking of him now I can smell his birdseed and that cage with the newspapers in the bottom.

When they let Perry out of that cage, he flew up and sat on the curtain rods. Every time he flew his wings made a loud flapping sound that scared my little brother.

Sometimes my mother would open Perry’s cage door, and wait. When my brother came walking through the livingroom, suddenly Perry would swoop down. My brother would scream and dive under the table, clutching the legs and sobbing. My mother raised her eyebrows, took a drag off her cigarette, and laughed. That taught me some pretty twisted things about how people treat those they claim to love. So yeah … count that little nugget as a lob to the center of the pain from the trenches.

Or maybe I could write about being a teenager. And dating.

Maybe I could write about the night a boy came to pick me up, and he had a long fringe of bangs. My little sisters peaked around the door giggling, “It’s a Beatle!” My Dad growled, “Is that your hair, boy, or is that a wig?”

Or I could write about another time my date arrived to take me to the school dance. He drove his car, parked, and my Dad drove us to school in our ’51 two door Pontiac. The two door thing is relevant because my date and my Dad sat in the front, I climbed into the back. In my formal. The thing I’ll never forget is the hood ornament. It was a glowing orange Indian Chief. I locked my eyes on that thing all the way to school, trying to ignore the awkward silence.

Maybe I could write about the faith, and the sense of humor, that have carried me on angel wings through the darkest of days, the brokenest of hearts. How, even in those moments … my date with the Beatles hair, me sitting in the back seat of that car … even then, in the recesses of my mind, I knew: “this is the rich stuff of which stories are made. I will write about this one day.”

Maybe today, sitting here at this table, wearing my ballcap, is that time.

::WHAT SAVES US::

Notebook of Writing

 

It’s a grey Monday, and I’m ‘working at writing’ in a session with Amy Lyles Wilson, my editor. I say ‘my editor,’ because that sounds very official, doesn’t it? And she is my editor; she’s also a dear, trusted, and longstanding friend. The fact is, I’m not sure how a writer/editor relationship could work otherwise.

It’s a courageous thing, writing. As Hemingway says, ‘There’s nothing to writing; all you do is sit down at a typewriter and bleed.’ That’s the long and the short if it, right there.

The first draft of my book is finished. Yes, I deliberately “buried the lead” here. Because I’m not entirely sure how I feel about it. I’ll tell you this: it was with a weary, a relieved, and an ultimately dispassionate resolve that I finally finished that draft. And I’m a bit nervous about all the soul bearing stuff I wrote down in those 177 pages. I’d like to change my mind about some of it. But that would require a rewriting of my little piece of history. Truth lives on those pages, for better or for worse. Now, all I can do is breathe.

Writing is an excavation of the heart. When it’s about your own life, about how you got to here from there, it is a staunch enterprise. There are days — many — when you’re riddled with the thought that nobody could possibly be interested. Why would they care? Why am I doing this? But you continue on determined to, at the very least, finish what you started.

And so, you do. It might take twenty three years. You might, in 1995, get an official invite-to-submit from a major New York agent and knock yourself out writing enough to send her a sample. You might even get a letter back, saying she loves your work, that it feels “introductory,” and to please send more when your book is further along.

It’s March, 2018. That letter is in my file drawer. Wonder if she’s still interested.

The fact is, we all have stories. Amy’s slugline on her website is, “It’s the sharing of our stories that saves us.” And nothing could be more true. The funny stories, the heartbreaking stories, the stories that, when the readers read them, make their eyes well up or their hair catch fire … the hard stories.

The stories that don’t want to be written; the ones hiding in the shadows. THOSE are the stories we must write. And that’s what I’ve done.

There are more stories from different periods in my life that may need telling, if only for my children. Stories of my own childhood. Stories of my dreams, what they were, when some of them were abandoned, and why. For whom. And the resulting life that came after. The fact that, in this one lifetime, I’ve lived what could be classified as three distinct incarnations.

I’m in the third incarnation now, and closer to the end than I’ve ever been. With each passing day I pray, and wonder, and hope, and love. Even at this age, I feel the same creative passion and zest for life that I felt in my twenties. Those of you reading this who aren’t yet where I am, you’ll be here one day; you’ll think of this passage and realize the truth in what I’m saying to you now.

So yes, it’s a grey day of writing, and we’re here at this table, doing just that. I wouldn’t be here at all if I had no story to tell. The thing is, we all have stories inside us, wanting to be told. Let’s write them down. It may, indeed, be what saves us after all.

 

http://www.amylyleswilson.com

 

::THREADS::

Tapestry

Things tend to make sense in ways we don’t expect. Sometimes situations or events go what we’d normally call out of control … all we can see is the chaos. But a step back reveals the wider net, the bigger picture. The choreography, the symmetry of all things.

Relationships. Blood, love, hate, passion. The binding thread that brings them all together is fiery red. But in it … when we’re in it … it feels like drowning, or flying, or crashing. No color at all. Just the grit and grind and focus of getting through it, or holding on to it, or getting rid of it, or expressing it. That is the experience of the thread itself. We are that thread.

Blue. Of Jazz, pain, loss, rain, regret. The thread of blue awakens quickly with each event. Fluid and flexible or vulcanized and unyielding … this strand goes from silk to steel in an instant, its transformation governed by the emotional dictates of experience.

And yet, when we lay our heads down in the dark, all threads come together; as we sleep through the night they work in concert, weaving another length in the tapestry of our lives.

EAGER HEARTS

HEARTS IN FLIGHT

Every heart
born new and tender
Beats with
hope and eagerness
Reaching upward
toward its mother
Cradled safe
upon her breast.

Fearless, strong,
hearts journey onward
Knowing not of
what’s in store
Driven only by
the wonder
What is it they’re
put here for.

In a world of
broken promise
At the port of
broken dreams
You’ll find hearts
broken in pieces
Still not knowing
what it means.

Every dream has faced
a cynic
Every cynic’s scoffed
a dream.

Dreamer
Cynic
Your decision
Can be nothing
in between.

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