::MYSTERIES OF MAMA::

Mama, Close Up

This picture was taken when we lived on South Madison. In it Mama is her beautiful, comical, musical self. Back then she would strike a pose, then collapse in laughter. She had flair, a free spirit,  she was my personal movie star, even before I knew what movie stars were.

I’ve gone back and looked through as many events as I can remember, trying to piece things together.

I’m searching for the turning point. To find when things changed. When the sun stopped shining, and the world went from bright colors to shades of grey.

I remember we had moved to the little house on North Marion. The one with the crayon blue linoleum floor. I remember a pivotal darkness, but nothing will speak to me from there. I try to go inside that space, but it’s always …. like the memories in it are right on the tip of my brain. I can almost see them. But not enough to grab hold, and to understand.

The things I know are that they had friends back then. At night they would get dressed up and go out together, and leave me with Ma Welp. But what else was happening?
I remember kitchen cabinets, with the doors open. Mama’s friend was rearranging. I remember Mama crying, and putting things back in the right places after the friend left. It was during that time that she stopped laughing.

I remember the priest coming. I remember feeling confused, and then it fades to black.
After whatever happened, that friend who was changing Mama’s kitchen never came over anymore.

Years later, when she was into her cups and in the mood to offer sage advice, she would say that you should never let anyone into your life because they’ll just walk in like they own the place and take over everything. Never get too close to anyone, she said. That’s the only way you can be safe, she said.

I’ve always wondered if that was the philosophy she used through the years to stay so far away from me. We’re closer now than ever before because, at 92, she has no clue who I am. It is a brokenhearted comfort that she always says she’d “love to get to know you.” I’d like to get to know you too, Mama. Or at least to understand what happened that kept us separate. But whatever it was, I loved you so; I choose to know that you loved me.I’m reminded of Birdie’s mother saying,

“All mothers love their daughters, even if they show it poorly.”

::My Lonesome Dove::

Lonesome Dove

I got the news back today, and it was good. Bloodwork was off so they needed more tests. The liver. I’ve had issues in the past with my liver. Not of an alcoholic nature; I’m not a drinker. But other things that can plague such an organ, they were plaguing mine. So, bloodwork.

And the result is that — while things need watching — all is well.

I shared the good report with a dear friend and said “That’s a load off.” She said she was relieved because she knew I was concerned. But the funny thing is, I never was really concerned. It just weighed heavy. It occurs to me that not many people have that experience. And even fewer people are aware of the difference.

The weight of things can bear down on the joyfilled. And I am one of those.

Through the years there were life experiences that had my spirit bent nearly double. Moments when I found it difficult to breathe; moments when my joyful self wanted to forget how. When I ached to be done with it; climb out the window of this life and in the window of the next. To be honest, there’ve been times when, due to health or surgery, I faced a decision: stay, or go; I chose, each time, to stay.

The redemption that lives in the small moments is what saved me, restored me, brought me back. That is always what keeps me here.

So the blood test, in the grand scheme of things, is what it is. Nothing more, nothing less. A little window into one aspect of what’s going on with me. The rest finds its place somewhere in the personal, panoramic pages of my own ‘Lonesome Dove’ story.

I’ll live my life, in all its chaotic splendor, across my own prairie … until I don’t. But life, its own self, will go on. And that’s a weight I’m glad to carry.

::SAFE HARBOR::

SAND AND SEA

I got back from the beach last night. On my morning walks by the shore I harvested a few beautiful shells. Now I stand at the kitchen sink with my coffee, lower them into the basin of water.
And my mind drifts …

“Come out of your shell.” Or, “She needs to come out of her shell.” I’ve heard it said about others, I’ve heard it said about me−both sincerely and sarcastically, as in , “Umm, girlie, you need to climb back into your shell; you’re a little ‘too far out’.”

But the shell thing−like sea urchins or snails−what a Divine idea. To carry your protection on your back; to be able at a moment’s notice to dodge any bullet simply by “climbing in.”

If I could have, I would have. Especially in the nineties. Those were ‘the paranoid years’. The time when my hair fell out in clumps. I knew people were whispering about me through the soup cans at the grocery store. One of the things Tim did was he copied my journal, rewrote it, then showed it to everyone he could think of. Hell yes, I wanted a shell. One that could hold a woman in her forties, protect her from the man who’d claimed to love her; one where she could cry every tear until they made an ocean she could float away on.

I run the water till it’s a little warm, and begin massaging each of the small, ridged shapes with my fingertips until their pearly surfaces become visible.

Some say time heals wounds. But it never says anything about what you’re supposed to do while the healing happens. Sit on the floor, back corner of the closet? That was a favorite spot. Fall asleep on the couch, with the TV on? That happened more times than I can count. Get home from your therapist, pace for twenty four hours, watching the clock til it’s time to get in the car and head back to her office? For months I did that. She saved my life.

Those experiences−the closet floor, the couch, Dr. High’s office−they never felt like healing at all. They felt like one big gyroscopic attempt to hang on. I thought the spinning would never level out, that I would never find solid ground. But the truth is, I did. And healing happened.

When I think about the woman I was then, I am moved by her pain; by her need to hide away. I want to reach back and hold her. I want to tell her it will be okay. Tell her that, believe it or not, she’ll survive. And she’ll be glad she did.

I swish the water gently and choose a shell, think of the moment I picked it from the sand. I turn this delicate vessel over in my hand. It is a profound reminder of protection and release.

Where have the creatures gone? Perhaps they found other shells for safe harbor. Perhaps their time came to transition, becoming one with the flotsam and jetsam. Or perhaps they are braving this world like I am−out of my shell, ready to move forward into whatever this day and this life will bring.

::THE WE OF ME::

INNER CHILD AT SUNSET

Lately I’ve been wondering how much of me is left. I mean, when I think back, it seems like there have been at least a couple of incarnations in this one lifetime. I was someone’s kid in the first lifetime, and a sister. In the second lifetime I was someone’s wife, and mother. How much of me did that use up? By the time I became a wife, did I remember who that girl was? Was I still that person? Today I’m someone’s mother, someone’s mother in law, and someone’s grandmother. What about that kid? Is she still here? Does she know how old we are? Is she observing the relationship challenges, the unreached horizons that float in the mist, just ahead of wherever it is I am? Or is she the one driving me forward?

It’s funny. These days there’s a familiar authenticity inside my skin; is this what she felt then? Or is that dementia? Is that old age? I don’t know. But I can tell you this: I feel more on purpose than I’ve felt since I was five. Since I was the kid on that swing in the back yard at 1563 North Marion, crying because I couldn’t write a song like the ones on the radio. I don’t cry about that now. Today I’m grown up, and I write songs for a living. Does she know?

When I work on the various projects that keep my passions fired, I feel her here. She sits across the table, smiling at me, her chin resting on one dimpled hand.

I also feel her tears. When my Daddy — OUR Daddy — died earlier this year, she is the one who cried into my pillow. She’s also the one who took my sister’s face in her hands at the funeral home and told her everything was okay. In many ways I felt like I was watching her do that. I was the observer. Looking back at that weekend, I realize the girl of me led us through it with her broken heart wide open, loving everybody as big as she could.

Since then, she and I have hit a rough patch. One where healing and grief keep getting locked in hand to hand combat. It leaves me bone weary, and she’s trying to make sense of it all.

When I lie down and rest my head in the dark, I feel her there. She keeps watch through the night. Sometimes in that space between awake and asleep, I hear her whisper, “Daddy always believed in us.” The adult of we never thought so. The girl of we always knew.

There are those who would call me daft for seeing us as two separate people. Shrinks might tell me to “integrate.” I reject that clinical diagnosis. The adult mind lives on the surface where life appears steady, things are kept in tidy lines, and all rules apply. But the child mind is boundless; it explores below the surface. There are times I need to get hopelessly lost in her world of unseen wonder, secret caverns, mighty whirlwinds, and fragments of dreams unlived. This is where the thrill of excitement rides in on a sunbeam, where fragile hearts dive deep, shatter and heal, only to dive deep again.

Not breaking through the surface with her would pose a far greater risk to my Spirit. I cannot bear the thought of skimming the top, and never living the we of me at all.

If Daddy can see us, we know he’s proud.

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