Love

::GONE BEFORE::

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Those Gone Before Us

There’s been a lot of loss lately. Death. People much younger than I am, going home. “Home.” And yet, here I sit, typing on my laptop. Wondering, “Why them, and not me? I’ve pretty much done all I came here to do, right?” And the answer is, apparently not. If it were true, you’d be home too, Cece. Breathe.

Sometimes I feel a fleeting pang of jealousy. They’ve reached their final reward. I grieve the loss of their presence, but I’m very clear about the fact that God’s timing is perfect. Who am I to question that? And who am I to think I’m done here … I’m the boss of me, alright, but not to that extent.

There’s much to learn from these people who have gone before. How did they live their lives? Whose lives did they touch? And when the final moment came, were they ready? I pray so. And I wonder if I’m as ready as I think I am …”All the days ordained for me were written in Your book before one of them came to be.”

I’ve seen the accounts of people who were pronounced ‘legally dead‘ but who ended up coming back. They’re still with us. What they said, every one of them, is that they had to be told, “It’s not your time. You must go back.” In other words, they were happy to be where they were: home.

The world is a chaotic place. So many people of divergent opinions are positively convinced that they are correct. Protocol is gone, respect for self and others seems dwindling. I remember the saying, “Discretion is the better part of valor.” I doubt many people even know what than means today. For the uninitiated, it means it is better to be prudent than merely courageous. Mind your mouth, and your choices. In other words: thoughtful. Be thoughtful.

I asked my attorney one day, in the midst of my divorce, “What should I do?” She said, “Go home. Plant flowers.” That was almost thirty years ago, and the weight of that advice has never left me. It’s saying, plant flowers to show your hope for tomorrow. Even if your time is up, you’ve made the world a more beautiful place.

Since then, I’ve given that same advice to others in counseling sessions; I think of it when I plant flowers today.

No one lives forever. But blessed are we who are still here and bear witness to the gifts left by those who are gone; the music, art, kindness, architecture, love, heart-stopping light – each individual “Magnum Opus,” are the flowers planted for us all.

Let’s live our lives, big and bright, as thankful celebration in their honor.

::BROKEN HEARTS ARE RED::

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GLASS HEARTWe’re living in very difficult times. We have every modern convenience,  every means of communication, yet we live lives of anguish and isolation. Our ability to communicate, and to assess the subtle nuances of truth-versus-lie is tied directly to our face to face human interaction. You’d think we’d have more of that than any generations before us. But we don’t.

Ironically, psychologists tell us that our children will have less ability than any generation in history to interact with others in healthy and meaningful ways. The reason is because they spend far more time looking at a tablet screen than they do looking into the eyes of another human being.

And I totally get that. I can’t hear someone’s vocal inflection in a text. I can’t sense their energy or see their facial expressions in an email. In my head and without realizing it  I write the story, I infuse the tone, I define the intent. That is what determines how I “hear” them. How often am I correct? How often have I gotten it wrong? I can’t know, because the moment in which it happens is gone in an instant. I’ve reacted based on “my assessment” before I even think about it.

And this, I contend, is how we have gotten so far away from each other.

Then there is the media. Do we really know what’s happening in this world? Or why? Are we given all the facts of a situation, and trusted to draw our own informed conclusions? No. There are extensive, complicated algorithms and processes that media uses to decide what we should be told, when, and how. The goal is to “drive” our opinions and conclusions; to create outrage, cause us to take sides, and define others as ‘good’ or ‘bad’ based on what we “know.” And the result is that we end up unable to debate or agree-to-disagree.

But … what is it that we really know?

I can’t say definitively. I’m honestly still searching, and I feel more confused than ever before.

But here are a few basic conclusions I’ve reached:

  • I know that things are happening at high levels over which I have no control.
  • I know that every story or event reported on is colored by the reporter’s bias – be it strong or subtle – so that I will believe I “know” something that may not be the whole truth or the whole picture.
  • I know that it takes deliberate and brutally honest energy to dig into the volume of information … to find those missing pieces of the puzzle that make the picture whole, and true.
  • I know that if I claim to be a seeker of truth, I have an obligation to the whole truth, regardless of what I might think about it.
  • I know that people need each other. The separation we feel is an illusion. We are connected to each other.
  • I know that we are more alike than we are different. Like flowers in a garden that thrive in the same dirt, drink the same water, and bloom under the same sun, we are a world of beautiful humanity, all created by the same God.
  • I know that hearts are broken every day in a variety of ways. But generally speaking, it’s always about loved ones lost, either through death or separation.
  • I know that when any person, anywhere, feels overcome with that loss, that it feels the same everywhere.
  • I know that all broken hearts are red.

::MOMENTS DREAMED OF::

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Snow Kissing

I don’t wax nostalgic often. But when I do, it seems my nostalgia — my longing — is for moments of connection. Moments confirming that the thread I bring to the tapestry of life is sufficiently interwoven with those of others. Moments that say “yes” to the presence of me. I know; self-centered is all I can call it, and yet … it seems to me that same sweet ache lives at the heart of us all.

We  need reassurance that our time here matters, or mattered. In that sense, I think we’re all well advised to do the very best we can, always, with everyone.  Then we must leave the rest to those who write about it afterward. Even so, if I could, I’d write of moments experienced or, at the very least, dreamed of:

  • Standing at the kitchen sink in summer, barefoot, washing dishes and singing to the radio; breeze through the kitchen window makes the curtains flutter and plays with my hair. He slips up behind me,  wraps around me and we become one, soapy hands in the water, swaying to the music.
  • The children, rosy cheeked and sleepy eyed, pile into the bed where we snuggle under the covers and read The Velveteen Rabbit
  • He wakes me in the wee hours whispering, “Hey, sleepyhead, come with me.” He takes my hand, urges me into my slippers and coat, then leads me outside where it’s snowing. We dance under the night sky with snowflakes falling all around us.
  • The children come into us in the dark of morning squealing, “Mama, Daddy, it’s Christmas! Come see!” We roll out of bed, into our robes, and settle on the couch where we lean into each other over cups of hot coffee while watching the children open their gifts.
  • He and I, walking hand in hand, talking, laughing, and scuffling through drifts of Autumn leaves.
  • Peaking in on my sweet, sleeping children, touching them softly, blessing them, wondering if they know how much they are loved.
  • He takes my bare face in his hands, kisses my forehead, looks into my eyes and whispers, “You. It’s you and me. It’s always been you and me. Forever. You and me.”
  • A card arrives in the mail. Old fashioned roses painted on the front. Inside, a simple message: “We believe in you. We’re proud of you. We love you. Mother and Daddy.”
  • A family dinner of all the siblings, children, and grandchildren. The main course served amongst us all is love, with laughter a plentiful condiment.
  • That final moment when, having fought the good fight and for all the right reasons, I know without question that I’ve done my best. It no longer matters if anyone else knows. I know. And that’s enough.

::The Dance::

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DANCING SHADOW

He had no choice but to betray me. Did he? Did he have a choice? No. I don’t see how he could have avoided it. I was too much. I was every single thing he both loved and hated.

I am a dreamer. I was born singing, and madly in love with life. My arms are flung wide, embracing all of it.

I’ve never stopped being that person. Detours? Yes, of course. I’ve gone off on a fool’s errand more times than I can count. But I’m always guided back by the lighthouse of my heart, and the musical joy that lives there.

The perspective at my center is maddening to someone who can’t see it. Generally that’s a cynic; someone who finds their own center unloveable. They define everyone else by their  lack of personal acceptance. Cynicism runs deep, denial is creed, because if they lose a handle on the lie they’re living, if the mask slips the slightest bit, who they claim to be falls apart. It’s come to me gradually over the years that yes, he was one of those. I take no pleasure in knowing it. But it explains a lot.

Okay, so the die was cast; we were young, beautiful, and almost immediately became caught up in the dangerous dance dreamers and cynics love. Maybe that’s it.  We each fell in love with the dance itself. I’ve never really seen it that way before. It must be time.

After a few years it started to dawn on me that about half the time I was dancing alone. He partnered with me when he needed an injection of the mad love, the joy, the dream I brought to bear. Once he was filled, I depleted, he was off again, climbing his ‘success ladder’ on the energy I gave. This act of transfusion happened repeatedly, and became central to the dance itself.

Some started saying I was too open, too forgiving. Too willing to glue the shards of us back together again and again.  There were those who called me stupid; co-dependent. I was neither. I knew what I was doing. I was holding in place a life that represented everything I was born loving so madly. I did it for my children. I did it for myself. Hell, I did it for him. And no, he still doesn’t have a clue.

Three pregnancies – one miscarriage and two healthy children – were born of that union. If nothing else came of it, that is a gracious plenty. My children are beautiful, and they have at least a portion of my madness flowing through them; my eager love, my spiritual center, my excited fascination with life. The music, which always came through me, pulses in them. They are music makers because, well, I’m their Mama.

Eventually his betrayals of ‘us’ became a routine part of his dance. But my dance steps had started changing too. I was no longer able – or even willing – to hold together the shattered pieces of who we’d become. I would like to say, simply, “I walked out.” But it was more like, “My life exploded, his final betrayal was so outrageous; there was nothing left that could be saved. He made it his mission to destroy everything.”

So. There’s that. But the interesting thing is, I’ll never regret the dance. And through the years I found my way back where I started; a dreamer, madly in love with life, arms outstretched. The lighthouse of my heart guided me home. My faith, and my music, and my beautiful children keep me here.

::BLESSINGS::

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Heart in Water

There was a period, not sure how long, during my growing up when I remember being blessed. I’m not talking about blessings abounding, though looking back I’m able to see that some did. I’m talking about the ritual of Good Night.

After pajamas on, teeth brushed, I was summoned to stand before my mother. She rested her hands, softened  and smelling of Jergens lotion and tobacco, on my head.

“I bless you in the name of the Father and the Son and the Holy Spirit,” she droned. Her breath carried the DNA of Brown Derby beer.

There were no kisses. No hugs. Just a blessing.

Then one night, after the blessing, I posed a timid question.

“Aren’t we supposed to kiss and hug, or something?”

“You got a blessing. Go to bed.”

So I guess, when thinking about “being blessed,”  this memory peaks up to remind me that those blessings did happen.

Regardless of what she’d been smoking, or drinking, the blessing was its own thing. A spiritual lifeline thrown to a little girl by a mother who knew no other way to tell her she was loved.

Every night, for as long as it lasted, I grabbed that line and held on for dear life.

That lifeline became a lifeboat, one that has carried me from stark childhood to rocky marriage to the open sea of tender possibilities. I know now that sometimes a brokenhearted love lies hidden in the coldest blessing, aching to be thrown a line of its own.

::I See A Giraffe::

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Giraffe Blotch

 

I see a giraffe.  Big quiet eyes. Ears just so. Soft little horns. I can’t see his long neck. I know it’s there, beyond the card.

His neck that stretches high into the trees, so he can nibble on the tippy toppest leaves.

He’s a likeable giraffe. Loveable, even. But it’s hard to know that. His head is so very high up, one can barely look into his eyes to see his personality.

And it’s quite difficult to kiss a giraffe. The process goes thus:

You stand by the tree trunk, look up into the leaves, and you shout, very loudly,

“Mr. giraffe, I would so love to kiss you.” You hope he hears you. His head is buried up there in the tree, and you hear munching. You shout again, louder:

“Mr. Giraffe, I would really very much love to kiss you.” Still, no response. Munch munch. Try again. In fact, this time, try a slight English accent:

“Hiya, Mr. giraffe. Seems I’ve a kiss here wif your name on it. What say you, good sir?” You wait. He eats. You sigh.  You walk away from the tree, to the sidewalk. You don’t see one sly eyeball peak at you through tree leaves.

You stand on the sidewalk, looking at the giraffe … you study his spindly legs, his switching tail, his long, long neck. You suck in as much air as you can hold, and you shout out. the loudest of your louds one last time. Oh, and the English accent has become quite thick:

“Mr. giraffe, is a bloke allowed to plant a kiss on your jaw at any point in time?”  After waiting for what seems like forever but was really about a minute and a half, you shout, “Crikey!” as you turn and walk across the street. This, you decide, will never work.

“Uh. Excuse me.” You turn, and look. The giraffe is looking right at you. “Were you talking to me?”

“I … I would very much love to kiss you.” You’re on the opposite side of the street by now, but you start walking back toward the giraffe when he bellows,
“STOP!” You stop. “Back up!” You step backwards and  onto the opposing sidewalk. “Wait.” You stand and stare. You wait.

The giraffe himself backs up, away from the tree. He swivels his head around on top of his neck. Then, ever so slowly, his neck bends down. Down. Down. He brings his neck down till it stretches across that street and he is face to face with you. You can feel his soft giraffe breath.

He leans toward your ear and whispers,

“You may kiss me now.”

 

 

 

 

::Oh, Fitzwilliam::

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Celia at 3 - 3I’m a little teary today. Not constantly, but in those spaces between big thoughts it creeps in, and I catch my breath. Really, it’s the craziest thing. It started with David Bowie. And Jane Austen.

I’m of the generation that rode Bowie’s outrageous musical wave with him. I was on the sidelines, having babies; but I watched, and listened. And dreamed.

The Viet Nam war was raging, girls were burning bras, and in California, hippies were putting daisies in the barrels of guns.

In my little world, I imagined what that  life would be like. If I could make the music I wanted to make. If I could chop my hair, turn it pink, or orange, or blue. If I could climb out of my responsible skin, and into the skin of a free spirit. Jump off the limb, way up high, believe I could fly.

And as an avid reader of Jane Austen books, I also imagined going back to those days, of handiwork under the shade tree; of a simpler life. Of Mr. Darcy.

But I was a young mother; my  beautiful babies needed feeding, wash had to be done … all the things that go into keeping a life on track. Still, while hanging diapers on the line, or cooking dinner, or folding clothes, singing lullabyes, my mind went on amazing journeys … back in time, or somewhere future. It still does.

Sometimes I’m a literary writer, sitting on the sandy beach with her books and pens. The south of France; or Italy, in a small medieval castle by the sea.  I can see that so clearly, it’s like I’m really there.

Other days I feel the need to trim the oil lamps and pull out my grandmother’s treadle sewing machine.

My fantasy world also embraces the anticipation of  relationship.

I remember as a young girl of eight going to see War and Peace. We came home and for days I wouldn’t look in the mirror; I didn’t want to break the spell that I truly was Audrey Hepburn as Natasha Rostova, pursued by the handsome Prince Andrei Bolkonsky.

Years passed, and I kept growing up, as girls do. But I continued to live my fantasies while setting the table or ironing the pillowcases. From the Philco radio, Frankie Lane sang “They Called the Wind Mariah.” It may have looked like I was just pressing hard creases on cloth table napkins, but I knew I was riding a wild Mustang across the prairie, the wind in my hair.

That was long ago. My life has seen heartbreak, death, love, more heartbreak. And yet. Yet I still dream; I still believe.

In spite of what I’ve walked through, I  know my Alan Rickman’s Colonel Brandon is waiting for me.  But the truth is, I possess the spunk and mettle of Elizabeth Bennett.

So perhaps it will be Mr. Fitzwilliam Darcy who calls for me, after all.