The weather’s finally turning cool. A fall nip is in the air, the one that tells me, “cozy nights by the fire” are not far off! I smile as I sip my coffee, and am happy that I’ve once again turned my attention to shoeboxes. I mean the shoeboxes filled with gifts that Samaritan’s Purse gathers. They spend their Holiday carrying them to children across the world who might otherwise not have a Christmas at all.
My boxes for this year are just about ready. A couple more things to tuck into them, and I’ll be done.
A couple of years ago, I was in a very tight space financially. In my life, money has ebbed and flowed, and I’ve always been pretty good at rolling with it. But that year the money was especially thin.
I was watching TV one morning that autumn, and heard Franklin Graham talking about Operation Christmas Child. He was saying that people could fill shoeboxes with items for children in third world countries. He explained how the process worked, talked about what to put in the boxes, shared video footage of children exploding with excitement over these shoeboxes, and … while he was still talking …
I went upstairs. I went to my closet and opened the door. Almost like a robot, I dumped shoes out of two large shoe boxes, turned, and carried them downstairs. How will I afford this, I thought. But even before that thought was finished, the answer came: you’ll figure it out.
I pulled out wrapping paper, and went to work. These shoe boxes were the big ones with hinged lids, so the wrapping took its own time. I’ll tell you with no pride whatever that I’m a perfectionist. It is a curse more often than not. The results are usually worth it, but when it came to these boxes I’d call it a draw. I re-did them. Twice.
Once the boxes were ready, I had to find things to put in them. I poured the loose change out of the money canister in the kitchen, counted it … it came to about 12.37, I think. I put the money in a baggie, put the baggie in my purse. I grabbed my coat, got my keys, went to the car, and drove to the Dollar Store.
What was I looking for? I wasn’t sure. Tooth brushes, maybe? tablets, crayons, combs, stickers, a stuffed animal. Two.
I spent more time than anyone should in that store, parsing pennies and figuring out how to get the most with what little money I had. I was able, with my meager sum, to get everything I needed. Yay, Dollar Store!!
I then went to Kohls. My Kohls credit card had a little room left on it, and I knew they had stuffed animals for $5.00 each. I went in and selected a monkey (Curious George) and a bear (Classic Teddy). I found a cute girl’s jewelry set on clearance, and a boy’s shirt.
I went home, and tucked everything inside the boxes. They were looking so cute! My heart was soaring, even though my pockets were empty. EMPTY.
There were only a couple of days left to deliver the boxes to the drop off location. I looked up the address for Lighthouse Baptist Church, put the boxes in the car, and headed out.
When I walked into the church, there were several ladies waiting there.
“Welcome,” they chorused. One woman — whom I learned was “Miss Rita” — came toward me to take the boxes.
“You’ve brought shoe boxes! God bless you!” I had a grip on my two boxes. Strange sensation; I didn’t want to let them go. But I let her take them with only a slight tug; we walked to a long table where she placed them and began labelling them for gender, age, etc. I looked along one wall and there were filled boxes, several deep, stacked about twelve feet high.
Miss Rita finished up and snapped a rubber band around each of my boxes. “I had to do this,” I croaked lamely. My throat was tightening up. Why am I so emotional? My heart was racing.
“You had to do this?”
“Yes. Because I’m broke. I’m flat broke.” She looked confused, so I continued.
“This for me is an act of faith. God will take care of me. He sees me helping these children. And yes. He will.” My eyes welled up. “He will. He’ll see me through this. And Lord, it feels good to give! Doesn’t it?” My speech brightened and I smiled, but there was a tear rolling down my cheek.
“Baby, God sees you, He KNOWS you, and He knows your heart.” She reached up and wiped my cheek, wrapped her arms around me. “Would you like some hot cider?” I nodded, blinking fast so I wouldn’t cry. What in the world is wrong with me, I thought.
She handed me the cider, and said,
“We always pray over the boxes, and we would also like to pray over you today. Would that be alright?”
“Oh, my … yes, I would be so humbled. Thank you.” Eyes welling again. I looked down, swallowed hard, and took a sip of cider.
The ladies gathered in a circle around me, hands linked. Miss Rita prayed. She prayed loud, and proud. She asked God to bless my shoe boxes, and to bless me. She prayed me so big, and so full, that when she ended it and all the ladies shouted, “Amen,” I could hardly breathe.
I hugged Miss Rita. “Thank you. So much.”
“No,” she said, “thank YOU. Baby, you are the blessing. And God uses you to bless others. He’s got His eye on you.”
We said our goodbyes and I went to my car. The woman I was climbing into the car was different from the woman who had climbed out. I’d been changed. I was lifted. Lightened.
I turned on Christmas carols; I sang, and cried, and laughed along with them all the way home.
A few days later, I was watching a morning show and there was a handsome young man who was talking about the scarf he had around his neck. It was a muffler like we wear in the winter. But his story was incredible:
When he was a little boy, he’d received that muffler in a shoe box of gifts at Christmas. He said that shoe box was all he got for Christmas, and he chuckled when he talked about taking out that scarf. He said,
“Where we lived it was never cold. Ever. I had no idea what that scarf was for. But I knew it was something important. So I kept it. I used the toothbrushes, and the crayons, and the toys … but that scarf I kept with me.
“And now, here I am, a grown man in New York City. It’s winter time here, and look:” He held up the tail of the scarf around his neck. “This scarf. This is my shoe box scarf. I’ve always kept it with me. And I always will. It’s more than just a piece of cloth. It’s a message that I’m not alone, that the world is bigger than I know, and it’s filled with good people.”
That man’s message stopped me in my tracks. I pray that the shoeboxes I pack will help fill the hearts of those little children with hope, and the knowledge that God sees them. God loves them. They are never alone.
That’s also true for me.
And for you.
Beginnings are sometimes hard to wrap our brains around.
A baby’s last push into this world, that would be seen as an ending — of life inside her mother’s womb — and yet, that first gulp of air is the breath of Spirit; a beginning infusion which, repeated throughout her life, will sustain her, until she draws her last.
What happens then? Some say they know; have crossed over and come back. Who am I to question them? I can only wonder, hope, and believe.
I’m wondering this morning if life itself isn’t one long, dramatic birth canal that carries us to places we’ve only read about, dreamt of, and imagined.
My mother is 96. She lies in her bed … old, frail, a mere shadow of the woman she’s been. She’s unresponsive, for the most part, and time is growing short. Soon, she will be gone.
But on that other side I see her emerging, young and beautiful, running into the arms of my Daddy, who passed four years ago. Truth is, I believe that, in many ways, she is with him now.
Beginnings — endings. The circle of life. All of it a painful, and wondrous, and a miraculous journey.
What the caterpillar knows as an ending, is the beginning to the butterfly.
The depth and breadth of the things in this building suck the oxygen out of the room.
- First exhibit, childhood. Promises to hold, support, love … to encourage and protect. They lie in pieces on the ground, dusty and forgotten. Forgotten to everyone but me. Check check check. Check check.
- Up the escalator to the mezzanine, is high school, and teenage years. Potential recognized and undermined. The remnants of hope’s fire, a burnt offering of the dreams held there. A young girl with no one to reflect back to her the truth of who she was, gifts she brought, or the light she shined.
- Shattered glass on the second floor, shards of a dark and betrayed relationship. Two beams glow bright, the children born, and a third, the tender flame of one who left too soon.
- Top floor, on golden shelves sit baskets, overflowed with bit and pieces, half-made promises of friends and family. Those whose only real crime was that they failed themselves before they ever could fail me.
- The ceiling above is open to the sky, dark and starry. Constellations weave a spiderweb, a language all their own. They tell of secrets yet revealed, and assure me that … no matter how it seems, I am not alone.
I didn’t know about her for years. Never heard of her. Then, one day, in the period I would soon dub ‘the dark night of my ex-husband’s soul’ she came. A light dawned.
I’d always been a creative girl, a passionate teen, then while wedded I morphed into an unsure and eagerly accommodating woman. When I finally acknowledged the “past due notice” and filed for “the divorce,” I realized I couldn’t speak. No, listen, I could string words together, I could even sound coherent on occasion, but the kernel of “me” at the heart of it all was missing. When did I grow so soft?
There I was, plowing through the molasses searching for my focus when, at a Screen Actors Guild Directors’ meeting, I met Nat Benchley. ‘Benchley, Benchley, let me think,’ I thought as I smiled that smile and shook his hand.
Nat immediately had me smitten, as most brilliantly eloquent men do … I do love a great mind. And his was incredible, I thought, until … well, his nickname for me was a little off putting. “Reverend Gorgeous.” I can barely type it even now. It makes me blush, and warms my heart. But that’s not the point here. The point is, Nat was sharing with me stories about his grandfather Robert, and how this woman, Dorothy Parker, was his sidekick and best friend.
Well, I’d never heard of the woman, and you already know exactly what I did. I looked Dorothy up, bought her books, checked her out … and thought, ‘HEY! I recognize that voice … that irreverent, brilliant, hysterically ironic voice. It . Sounds . Like . Me .’
So that was the first step, learning about Dot. The next meeting Nat and I attended was in New York, and he decided we should go some place called the Algonquin Hotel. Over martinis with three fat olives he educated me on the infamous “Vicious Circle” and — as we sat at that very same round table, regaled me with tales of how his Grandfather and Dot would hold court there everyday at lunch. And so, we and our colleagues sat. We laughed. We drank. Because, you know. Dot and Robert.
Hirschfeld drawings of Benchley, Parker, and company lined the walls. The more I learned, the more I was convinced: Nat and I should do a two-person show, Robert and Dot. I mentioned it to him. He loved it. But life got in the way, as it tends to do, and we never happened.
That was years ago, and I only remembered these things when reading a piece this morning by Dorothy Parker. I’m much older now, and am not sure I still have the swagger necessary to deliver a good “Dot” onstage. But I love my warm memories of Nat Benchley. I continue to relish Parker’s writing, her voice, and the very clear knowledge that it was she who, thanks to Nat, helped me find my own.
When I was five or six I was drawn to the microphone at the Knights of Columbus spaghetti dinners. My Uncle John would step up on that stage and use it when he introduced Monsignor Fletcher to say the blessing. And when he announced the three piece band, made up of parishioners. Ladies with blue hair played the stand up bass, the accordion, and the saxophone. Their pearls and ear bobs swayed or bounced to the rhythms while the grownups danced.
But it was when they took their break, and the microphone stood up there all alone that I felt the pull. I wandered up. I sat on that stage, just a low riser from the floor. I pivoted and suddenly, I was there. I wandered over. I looked out at the people seated at long tables, talking and laughing. The microphone was about a head and a half taller than I was. No way could I reach it. So I stood.
Years later I would actually use microphones, in the studio and on stage. For years I worked in an industry where people think if you haven’t “sold” a song or gotten famous, you’re just a wannabe who didn’t quite have the stuff.
But the truth is, the fame part was never an issue. Never a goal. It was always about the music. And music is its own thing. Fame is about politics, and strategy, and not just a little bit about the dark side of our nature. There are those who squeak through to the main keylight unscathed, but it’s not a huge percentage.
Looking back on my years in the “microphone” business, I know that every prayer I ever prayed about it was answered. But the picture looked quite different than I had imagined. The clarity I have, and the perspective given by years of experience, make me grateful for being blessed to do what I’ve done, and am doing, without ever having sold or being driven by anything but the music.
In high school I was told to choose. And each of the tellers told me to chose the thing that was theirs:
Sister Mary Judith said to choose writing
Sister Mary Thomas said to choose music
Sister Mary Dominica said to choose fine art
Sister Josephine said to choose fashion design
You MUST choose this one, each said. This is your gift, each said.
I said no. Was it the best answer? I guess I’ll never know, but I knew in my gut it’s the only answer I could give.
I saw each as one of my children. How do I choose one, and leave the others, orphaned?
How do I nurture one, and leave the others fallow? It was the craziest idea I’d ever heard. But I was just a kid, what did I know? These were brides of Christ telling me to do this. But I couldn’t.
First of all, as I now know, what the creative well is filled with is beyond my control. It is a central space whose energy flows through me. I cannot dictate to the well how it is to express itself. I can only say “yes” to whatever shows up.
I am not the boss of it. I am the steward; the guardian. It is up to me to facilitate, not to dictate.
In my adult life, there are creative threads that have expanded; writing grew to — not only prose or poetry, but a career in songwriting. Design grew to — not just fashion design — but a career in interior design. Music grew to a career as a vocalist. I guess you could say my ‘children’ had ‘children’ of their own.
I sometimes wonder if this is just me, not wanting to “settle down” with something that could organize my life in a way that some would call “adult.” But when that thought comes to mind, the counter argument is always there to ask me, which of your creative ‘children’ would you have abandoned in favor of others?
The answer is, I cannot choose. I have not chosen. They choose me. Even now, in my dotage, I do not regret saying “YES” to all of them.