Have you ever considered the pristine beauty, the mystical significance of an empty bowl? Or even the hands that created the bowl itself? I hadn’t, until this past weekend.
An empty bowl is an important symbol in Buddhism. The bowl points to the monk’s way of life; they go from the monastery into the village each morning, bowl in hand, and ask for alms from the lay people. Whatever they receive, food or alms, is prayed over with thanksgiving, and counted as “enough;” “plenty” for that day.
As a prompt during a writing class recently, we were asked what we would need to fill our bowl.
I sat with my hand holding a pen, suspended over the page. My mind was blank. Just when I thought, “This is not working,” I heard my father’s voice.
My dad used to say, “Your mother could feed a family of eight on a potato and an onion.” And looking back, I realize that’s exactly what she did. She’d dice them, and boil them in a large pot of water; season them, and leave them to simmer on the stove. She’d put small pieces of Velveeta on the collection of bread heels, and run them under the broiler just long enough for the cheese product to melt across the surfaces of the bread, and start charring around the edges.
We loved potato soup night. It came after meatloaf night, and was followed by fish stick night, which was always on Friday. There was also tomato soup and grilled cheese night. There was bean and cornbread night, which was followed by chili night, because the leftover beans went into the chili.
When I recite the menu − this litany of how my mother fed six children on my dad’s hard earned but meager income − I am struck by a couple of things:
Regardless of where she kept her heart, regardless of how disconnected she seemed from the rest of us, she got up every day and did what needed doing to keep the children fed.
The process of creating a meal is a spiritual act. It is a prayer. Just saying grace over two such ordinary things as a potato and an onion − trusting that these will become the loaves and fishes on your children’s plates − that is a mother’s hope. An act of faith.
And I will say that doing it once makes it an event − marks its significance above the commonplace. But through my years of growing up, sitting as I did at that table every night, I can tell you this: the miracle of plenty was ever present there.
So when I consider what will fill my empty bowl, I humbly request one potato, one onion, and the power of my mother’s prayer.
I’m sitting at my kitchen table, studying the palm of my hand, and waiting for snow.
The house is warm, but my nose is cold. The wintry chill around the edges of the house drives me to the center so I’m here, at this table. And thinking of building a fire.
But these lines. They’ve been on my palms since I grew hands while in my mother’s belly. Had I known them to reveal things, had I known there was a map, I might have done life differently. I might have checked the highway that starts at my wrist and curves up to the center-point between my thumb and forefinger.
I would have read the road signs held in the two that cross from left and right.
Years ago I went to a palm reader in New Orleans. I was newly divorced and trying to figure out how to navigate in the world as nobody’s anything. The palm reader looked at my hands, traced the lines she saw, and nodded.
“Three children.” I shook my head.
“No. Only two. Two children.”
“Oh well,” she said, still looking at my hand, “You will have a third. There are three children here.” She looked up and smiled.
I paid, left as quickly as I could, got outside, leaned against the wall, folded into myself, and tried to breathe. Apparently my palms didn’t show the complete hysterectomy I’d had the week of my twenty seventh birthday. There would be no more children. But I could still feel her fingernail tracing that line. I looked at my palm. How could she see that? How did she see the one I lost? How is that written there? I choked back sobs, slouched against a building in the French Quarter. I’m teary now, just writing the words. So be it. The question I had, and still have, is this: is my story really written here? Right here? And how I could never read it, never even know it was here to be read?
I had wanted a house filled with children, but looking back – even through the grief of loss – I can see it all came together exactly as it should have.
Life is a fascinating tapestry of love and its heartbreak, growth and its pain, choices and their consequences … and the freedom to know that all things work for good in the hearts of those who believe.
So I sit here, check the weather forecast, watch The King’s Speech, and … realize that I’m idly running my finger across the line. The one that told her there were three. And I remember: whatever any of us might think we know about anything, we don’t know everything … we simply cannot. We’re inside it, looking out. There’s a certain relief in that, really. And how exciting it is to be aware that there’s always more to learn, reasons to wake each day, eager to wrap our arms around this miracle of life.