::Nanny’s Back Porch::

I remember the glider. The arms and frame were painted chartreuse green. The cushions were upholstered in oil cloth with wide red and white stripes.

Nanny sat on it every morning with her cup of coffee and the morning newspaper. She drank her coffee in a china cup that sat on its own saucer. There were delicate flowers hand painted on them both. She added half and half to the coffee until it looked like caramel.

I remember the treadle machine. It sat against the back wall next to the door on the the concrete patio. The patio was large, and had a lofty roof. The area was cooled with a large ceiling fan that hung from the rafters.

I remember the gentle, rhythmic sound of that fan, and the air that it created.

Nanny’s patio was a place where I knew I could do anything. It was almost sacred in that way, though I didn’t know it at the time. But every weekday morning during my ninth summer, I did my chores, then called my Nanny.

“Nanny? Can I come over?”

“Come on, baby.”

I packed my little cardboard suitcase with my doll and fabric scraps, then walked the two and a half blocks to Nanny’s house.

I remember climbing the steps leading to her house. The front porch had steps of its own. Wrought iron columns painted chartreuse on each corner. Two pink flamingos stood amongst the flowers in front.

The house wall of the porch was knotty pine. A mailbox hung on the left side of that wall. It looked like a covered wagon.

Exactly like a covered wagon.

Nanny made it.

I followed the sidewalk around the left of the house to the back. When I reached the back, I lifted the latch on the large black iron gate. It slowly rolled open, I walked into the back and pushed it shut behind me.
Nanny was there on the glider, her back to me, holding the newspaper akimbo in front of her.


When I think about it now, it makes me tear up. I didn’t know then, didn’t understand, how hungry I was for a space where I could be my unbridled creative self.
At home the message was clear: do your chores, stay out of the way, be quiet. In other words, try not to suck too bad.

But here at Nanny’s, my nine year old shoulders dropped. The knot in my stomach let go. I could sew on the treadle all day long, and nobody would stop me. If I got to a place where I needed help, Nanny was there to lend it. No criticism, no shame, just safety.

I don’t recall her ever really championing my pursuits, but she never cut me down either. I was present and a participant in many of her own creative projects and, by that, I learned that anybody could do anything they dreamt up, all they needed to do was start.

I remember Nanny’s projects where she taught me to “sand with the grain,” to “paint in long, firm but gentle strokes on furniture,” and “never buy a sewing pattern, always make your own.”

Nanny would be horrified if she could see the pile of sewing patterns in my work room today, but all she taught me … about how to do things, and about trusting myself and my creative process – are literally what have inspired me and saved me.

::Where Jesus Flang It::

Leave it Lay Where Jesus Flang It

Yes. Do that.

Do not look back.

Don’t masticate the past.

It is the trail you’ve left, the one you’ve taken

Over insurmountable odds.

That path is made up of happiness, 

Confusion, glitter, strife, untapped potential,

Broken hearts, broken dreams, unwavering faith, 

Resolute determination.

Never forget how resolute you’ve been, even in your

Darkest, most hopeless hour.

Where did you get it? That determination?

Your faith stood firm, it brought you here.

And here you stand. 

Not “Here you sit,” or

“Here you crawl.”

You stand. 

There were times when you thought you’d never

Get here from there.

But you did.

Here you are.

Well done, you.

Carry on.

Best foot forward.

As for the past?

Leave it lay where Jesus flang it

::The Party::

I was not allowed to go. Anywhere.

Well, that’s a broad statement, too broad. I could attend school, Confession on Saturdays, Mass on Sundays. The time in between these events, when I wasn’t doing chores, I spent in my room … a small converted sunporch at the back of the house.

My bed was a chair that unfolded into a flat metal frame with three hard cushions. It was not a comfortable sleep, but at least it didn’t take up much room.

I was a budding artist, the one thing I did that mother seemed to approve of. My art supplies included a small box of pastels, and I treasured those short stubby chalks. I got lost in the process of creating with them, while Bobby Vee played on my little record player.

One night, in the middle of summer, after being told I could not attend a party my friends were throwing, I went to my room. I was sixteen, and not allowed to wear makeup.I looked at my chalks, and something “other” happened. I took the pastel rose colored stick, and with tweezers, shaved a bit to create a pile of dust. I took the sable brown color, and did the same. Then, a water color brush. I touched the shaved blushy color and brushed it over my cheeks, spreading and blending with my fingertips. The brown color I swiped gently into the socket crease of my eyelid. I softened it with my fingers.

Then, I put some of the pink dust into a spot of Vaseline and touched it to my lips.I brushed my hair, and looked in the mirror. The difference was remarkable. Who was I? Who is she? I leaned my forehead against the reflection and thought, “I am ready for a party that may never come.”

That was almost sixty years ago. I was so young and so naive then, so full of dreams and wonder. The road from there to here has been extremely rough at times, but passable.The bed I sleep in now, and the beds my grandchildren sleep in when they visit, are beautiful and stationary. They are piled with down pillows and spread with the kind of cozy bedding that would make Goldilocks swoon; they are clouds of heaven. To tell you the truth, there are times when I check the clock to see if it’s too early to end the day, climb the stairs, and climb into my bed.

I can go anywhere I want, any time I want. There is no one to tell me I can’t. I am, at long last, the boss of me.

Do I still get ready for parties? Sometimes. When I want to. Not when I don’t.

And really, I’m beginning to think that the party I thought I was ready for so many years ago was, in fact, this life I’m living now.

::PERFECT::

The Perfect

When I was very young, maybe three or four, I remember waking up each day a little breathless. I was so excited to be here. Thinking back, I wonder how I knew. What was that excitement about?
Going a little deeper, it’s almost like I’d been here before. I’m not sure about any of that, but I remember I had a “knowing” that life here could be terrific, and who wouldn’t want to be in it?

As I grew older, I started discovering that there was a thing called perfection. It was defined as something different than what I saw.

Perfection, I was told, could be found in the hospital corners on a freshly made bed. Everything on square. Pristine. Unsullied. Untouched.

I spent a lot of years trying to live up – or down – to whatever that was. But then, in the later years of adult life, I had an epiphany. Really, it was a sort of ‘going back’ to what I knew at three or four. I began to see perfection everywhere. In the torn edges of an old photograph; the way the table cloth was just slightly askew; The lipstick on Mrs. Flanagan’s teeth when she smiled.

Isn’t there a bit of heartbreaking perfection in all of it? It just seems like we all try so hard to be the perfect thing. And yet, when we step back and look, the perfection is always right there, at the center of our authenticity.

There’s a sweetness in the toddler’s bed head. There’s nostalgia in the old man’s dropping suspender. And a beautiful humanness in the failed loaf of bread.

It’s all good. The good stuff of us. We’ve only to live it, and not judge it. Our loving Father is looking down, and — in human terms — he likely gets a bit misty as He watches us try so hard to correct that which needs no correction at all.

The perfect is already here.

::Regarding the Book, the Pain, and Me::

Girl At The Window

About a year ago, I finally pounded out the last pages of the first draft. A project that began in 1995. The early chapters are covered with the splatters of someone in the midst of an attack. The blood was boiling as the words hit the page. Twenty-plus years later, I can tell you this much: distance gives perspective. And through the years, as the story continues to write itself, the narrative shifts, changes. It — if you’re doing it right — becomes reflective and wise. I am reflective now, and wiser than I was then. So it’s stunning and a little uncomfortable to look back at the initial writing and see how unwise, how in pain, ‘the writer’ was.

I thought I wanted people to know the truth, as I knew it. Writing it down was a form of therapy; I wrote during the divorce process, sometimes all day through the night and into the next morning. I still have those pages, written on an old IBM Selectric. I haven’t read them in awhile, largely because I can’t bear it. That young woman was so broken, and — because she had no place else to put it — she poured her brokenness onto those pages. Maybe that’s how she was able to keep breathing. To put one foot in front of the other. To get from there to here.

It’s been twenty-four years since I started the book. The woman writing this now is not the same woman who wrote the first one hundred sixty five pages. Yes, all those things happened. But wasn’t it another lifetime? The scars are there, they show that wars were braved, but that’s okay. Everybody has their tragedies, losses, betrayals. Love is the ticket to all of them. There is no love with out them.

Think about that for a minute.

Loving someone is the bravest thing a person can do. To truly love means you’ve cracked your heart open and said “yes” to the utter bliss of it, and to the deepest emotional pain possible-while-still-breathing. A surrender to that depth of caring, of vulnerability, invites it. Invites it all.

My parents were the first example of what a marriage, and love, looks like. Theirs was filled with laughter, and dancing, and alcohol, and drama. It all swilled in the chalice of the Holy Catholic church. Daddy was an usher, Mama was fragile and beautiful. Our family, which topped out at six kids, sat in the front row every Sunday, “those stair step Myers kids.” In our chaotic house Mass, and the prayers we prayed there, were the two things that I could always count on. They became my lifeline.

When I say Mama was fragile, it doesn’t mean she wasn’t strong. It means she was different after she had the breakdown. I don’t remember much about it, but I remember the priest coming to the house.  I was young, and confused. My brother Bob was about two, and we were farmed out to family members each day. I went to Uncle John and Aunt Mabel’s. Bobby went to Nanny’s. Daddy dropped us off every morning on his way to work. When I got to Uncle John’s house, it was still dark. But the front door was unlocked. I climbed out of the car, shut the car door, walked up the driveway to the porch, opened the front door, went inside, shut the door, sat on the couch in the dark, and waited for someone to wake up. I was five years old.

Now, sitting here knowing that in March I’ll hit seventy one years of age, it’s a strange feeling; I think back on that little girl. I am she. She is I. We are us.

In a way, it’s like looking at an old movie of someone else.

But I guess if I had to do it again, and was delivered to my aunt and uncle’s home in the dark, I’d still open the door, go inside, shut the door, sit on the couch in the dark, wait for somebody to wake up and turn on a light.

That was a long time ago. Now, I have five beautiful grandchildren, each one a gift from my son Chris and his wife Shanna. On days when I’m not sure what I’m doing still here, I tell myself that they’re the reason I’m upright and taking nourishment. I know that’s a bit dramatic, but I really am determined to keep myself healthy so I can dance at their weddings. And I’ll foster their creative energy, their sense of humor, and their musical prowess till the day I die.

My mother has ten grandchildren, and nine great grandchildren. Daddy passed away in 2014, and mother lives in the moment, from day to day. She’s sweeter than she’s ever been, partly because she doesn’t have a clue who anyone is, other than Karen. Karen, the youngest of her children, watches over her and makes sure she’s well cared for. 
Last time I saw my mother was when I went home to bury my Daddy. We visited, and I probably told her who I was ten times in fifteen minutes. Her response was always, “Well, I’d love to get to know you.” I looked into her eyes, and thought to myself, Mother, you’ve never known me. And for so many years, I couldn’t find you in there. Now, you’re gone completely. I’m trying to learn to be okay with that.

It’s awkward. I’ve worked hard to make peace with the fractures in my family, and with the ones who caused them. I know I’ve built an invisible wall of protection around myself, a sort of PTSD response to family drama and the heartbreak it caused. I wish I didn’t need it, but I do. And so, there it is. But I no longer have the time, the energy for, or the interest in keeping track of who, how, and how often family members have done me wrong. Seriously. Let’s stop.

It’s funny what life does to a person. You start out as a little squirt, being exactly who you are. You can’t really be anyone else, because you haven’t discovered there’s a choice, so you’re just you. Then, with all its pre-conceived judgments, life gets in. You start questioning everything about you. Maybe you were wrong. Maybe you aren’t who you thought you were. So, for the next several decades, you start jumping and adjusting in time to everything that’s said to you about who you are. It’s exhausting; just when you think you’re making progress, just when you think you’ve left that original, ‘unacceptable’ you behind, the bottom falls out. And you’re back to square one … face to face with yourself.  But the truth is, that’s the best gift of all. If the world didn’t need ‘you,’ you wouldn’t have shown up in the first place.

I’m still who I thought I was, way back at the beginning of things, and while I’m a little more careful as I navigate, I have not really slowed down. On the scale of “women types,” I’d say I’m a square shouldered work horse with a great attitude. I can clean myself up and be in groups with the best of them, but given the choice I’ll hit the drive through in my pajamas.

As far as what the future holds, I’m planning to write … songs, essays, articles, books of any sort, fiction or non-fiction. My grandson wants me to write children’s books — a “NannyBoo” series which, I must admit, sounds fun and funny. NannyBoo’s their name for me, once I was christened by three-year-old Chloe’. But whether or not I write the “NannyBoo” series, I plan to write whatever comes out; I’ll write it all down as long as I can. And I’ll finish that book. If it doesn’t get published, at least I’ll be able to leave it for my children to read when I’m gone. They can gain a deeper understanding, if they’re interested, of who their mother really was, and why she was that way. They’ll get to know me better and, by extension, themselves. That’s the best gift I can give them, after all.
Knowing the “me-of-me” is, I believe, the lesson at the center of all the lessons we can ever be faced with. I’m here as me, you’re here as you, and we’ve got us. Let’s give authenticity a shot.

::TOO SOON TO TELL::

The Good Book Open

A recent checklist:

Have you locked in on who you were put here to be?

Are you accomplishing all that you were put here to accomplish?

How much longer is your life’s to-do list?

How’s that memoir coming?

Will your work projects pay off?

What will be written on your grave marker?

Will you have a grave marker?

Will your grands know how much you loved them?

Will you have made a difference in any positive way?

What is the one thing, if you had to choose, that you’d want to be remembered for?

How will your children carry on once you’re gone?

What will happen to your writing?

What will happen to your artwork?

What will happen to your design work?

Once you’re gone, will you even care about any of this?

Questions that, once posed, tend to send me into one of two places: a deep and thoughtful period, or a moment of ironic flippancy where I say, “Who cares about that? I can only handle ‘now’.”

And really, those questions generally pop up only when I’m down. And I’m down so seldom that I had to conjure to bring them up at all.

I keep my eyes on the horizon, and my heart in Gilead. My path is my testimony, marked by my feet, which I put one in front of the other each day.

It is a varied, and a beautiful life. Trouble? Yes, we see trouble all around us. But we are not the trouble itself. No one is. We are the very love we seek; we are the center and the stillpoint of this amazing planet. And what we focus on increases. Think about that.

So, as I look back on this list of questions I raise, I can quietly and with blessed assurance say,

“It is too soon to tell. But I’ve read the Book. I know how this ends.

“And it is beautiful.”

::THE FAIRY TALE KING::

Fairy Tale Castle

 

There’s a saying, “a man’s home is his castle.” And nothing – in a quite literal sense – could be more true for Luddy, or “King Ludwig of Bulgaria” to his subjects.

He was a young man when he assumed the throne – 18 years of age. But rather than focus solely on war and conquest, he chose instead to turn his attention to architecture, and built the Bavarian Neuschwanstein.

Such a beauty is this castle. Gatehouse, turrets, corridors, ballrooms, and a sixth floor singers hall, grand and spacious, with soaring ceilings. Yes, Luddy was into music. Wagner was his favorite. From high in that castle hall, the strains of those musical performances surely floated on the wind, and were enjoyed by people for miles.

Any one of the turrets – there are six major – may have held a young girl whose long, flaxen hair spiraled down, allowing her suitor to climb up.

The connecting bridges, did they ever feel the Beast’s weight as he went searching for Belle? I would not be surprised.

And what of Ludwig? Did he ever stand, high up on the sixth floor of his castle, looking down on the valleys surrounding, and ache for his princess to show, the one he had built all this for, the one he was prepared to rescue on his white horse? I like to imagine.

If you look at the chateau, above, and think it looks familiar, it should; Disney has used it as the architecture reference for its fictional castles … including the one it uses in its logo.Disney Castle

This dwelling has been known throughout history, and still stands today, as the Castle of the fairy tale king.

 

::MY ROOM::

still-life-with-lace-painting-mediumIt sat in the back corner of the house. There were two doors, one off the kitchen, and one into the boys’ bedroom.  The windows were on two sides, big and drafty. In the winter, Jack Frost made icy paintings on them. I loved it. Sometimes I would lick the ice, and watch it melt.

The wallpaper in my room was from Swinney’s hardware, my uncle John’s hardware store.

I loved that store. It had hardwood floors, front to back. There were wooden stairs to a catwalk that ran all the way around the at the second floor level. The walls up there were a checkerboard of colorful wallpaper samples. Lift the flap of paper, and the rolls of paper were stored in the cubbies behind.

My grandmother chose the wallpaper in my room. It was white, with loose bouquets of wildflowers tied with trailing blue ribbons. During the paper selection process, I was asked if didn’t I like this, or didn’t I think that was pretty. I loved looking at the samples, and leafing through the big wallpaper books. But I didn’t know what I liked. I was eight. I just wanted to make the adults in charge happy; I wanted whatever it was they wanted, because that makes everyone happy, right? Then I don’t get it wrong. That’s what you think when you’re eight.

Later, I would decide that my room looked old ladyish, I was silently disgruntled that my grandmother had picked it out … though even at ten or twelve, I didn’t know what I’d have chosen. Thinking back, I can see it was a sweet, cheery space in that stark little house. I wish I could see that paper now. I’d probably love it.

One of the things in my room was a wicker desk that had belonged to the mother of my other grandmother. My great grandmother. White wicker, with a wicker chair. That little desk has followed me all over the country, throughout my adult life. And it currently sits int eh bedroom at my house that is used by my granddaughters.

I wonder if it will some day be taken, and treasured, by my granddaughter, Gabby. There’s no way to know … but I hope so.

Meanwhile, thinking back, I love picturing that little white desk in my childhood bedroom; the wallpaper of flowers and the white dotted Swiss Priscillas. It’s where I laughed, cried, prayed, slept, and dreamed.

It was my room.

::LAST DAY::

Police and Ballet

Locker clean out: check

Firearm, badge, and uniform turned in: check

Ten years of my life gone: check

Experiences that no one should ever have to go through, and some that no one should ever miss: Check check

If anyone had told me when I was five years old that I’d spend ten years of adulting doing this, I’d have run crying to my Mama. I was planning to be a ballerina. Or a veterinarian. But when Robert was gunned down in a drive by two days after my seventeenth birthday, I couldn’t find any other choice. My big brother was gone, a hole the size of the world was left in his wake, and I had to make sure that never happened to anybody again. Ever.

Applying to the academy was difficult. Admissions were grueling. I failed twice. But once in, it was even worse. I stuck it out, graduated, and for a decade I did what I could to keep good people alive. Even if it met traffic stops, stakeouts drinking bad coffee, or desk work when I was pulled off the force while an investigation took place over a cracked out kid I shot. You never want to kill them. You just want them to stop. Sadly, sometimes killing is the only way to make that happen. Luckily, the boy I shot survived … but was later shot and killed in a drug buy gone bad. He was on a dark path and just couldn’t get turned around.

I’m tired. And ten years wiser than I was when I set out on this crusade. I realize now that I can’t force people to be good, or to make the right choice. And nothing I could do – no matter what – was gonna fill that hole, or bring my brother back.

So today I officially disengage from law enforcement, and head into the world as a full blown civilian. I wonder if there’s a ballet class for thirty eight year old ex cops.

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