I remember the glider. The arms and frame were painted chartreuse green. The cushions were upholstered in oil cloth with wide red and white stripes.
Nanny sat on it every morning with her cup of coffee and the morning newspaper. She drank her coffee in a china cup that sat on its own saucer. There were delicate flowers hand painted on them both. She added half and half to the coffee until it looked like caramel.
I remember the treadle machine. It sat against the back wall next to the door on the the concrete patio. The patio was large, and had a lofty roof. The area was cooled with a large ceiling fan that hung from the rafters.
I remember the gentle, rhythmic sound of that fan, and the air that it created.
Nanny’s patio was a place where I knew I could do anything. It was almost sacred in that way, though I didn’t know it at the time. But every weekday morning during my ninth summer, I did my chores, then called my Nanny.
“Nanny? Can I come over?”
“Come on, baby.”
I packed my little cardboard suitcase with my doll and fabric scraps, then walked the two and a half blocks to Nanny’s house.
I remember climbing the steps leading to her house. The front porch had steps of its own. Wrought iron columns painted chartreuse on each corner. Two pink flamingos stood amongst the flowers in front.
The house wall of the porch was knotty pine. A mailbox hung on the left side of that wall. It looked like a covered wagon.
Exactly like a covered wagon.
Nanny made it.
I followed the sidewalk around the left of the house to the back. When I reached the back, I lifted the latch on the large black iron gate. It slowly rolled open, I walked into the back and pushed it shut behind me.
Nanny was there on the glider, her back to me, holding the newspaper akimbo in front of her.
When I think about it now, it makes me tear up. I didn’t know then, didn’t understand, how hungry I was for a space where I could be my unbridled creative self.
At home the message was clear: do your chores, stay out of the way, be quiet. In other words, try not to suck too bad.
But here at Nanny’s, my nine year old shoulders dropped. The knot in my stomach let go. I could sew on the treadle all day long, and nobody would stop me. If I got to a place where I needed help, Nanny was there to lend it. No criticism, no shame, just safety.
I don’t recall her ever really championing my pursuits, but she never cut me down either. I was present and a participant in many of her own creative projects and, by that, I learned that anybody could do anything they dreamt up, all they needed to do was start.
I remember Nanny’s projects where she taught me to “sand with the grain,” to “paint in long, firm but gentle strokes on furniture,” and “never buy a sewing pattern, always make your own.”
Nanny would be horrified if she could see the pile of sewing patterns in my work room today, but all she taught me … about how to do things, and about trusting myself and my creative process – are literally what have inspired me and saved me.










